BooksIngres and the Studio: Women, Painting, History. University Park: Penn State University Press, 2012.
Barbara Ann Day-Hickman, H-France Review Vol. 13 (January 2013), No.11, pp. 1-4.
Patricia Smyth, Burlington Magazine (May 2013), pp. 336-7.
Jennifer Germann, CAAReviews (June 14, 2013).
Mechthild Fend, Oxford Art Journal (December 2013), pp. 465-467.
"Artist as Lover: Rereading Ingres's Raphael and the Fornarina." Oxford Art Journal (forthcoming, December 2015).
"Ingres's Shadows," The Art Bulletin 95:1 (March 2013), pp. 78-101.
"Marie d'Agoult: ingriste critique d'art," Plumes et Pinceaux: Discours de femmes sur l'art en Europe (1750-1850), ed. Mechthild Fend, Melissa Hyde & Anne Lafont (Dijon: Les Presses du Réel, 2012), pp. 101-28.
"Archaeology Meets Fantasy: Chassériau's Pompeii in Nineteenth-Century Paris," Ruins and Reconstructions: Pompeii in the Popular Imagination, edited by S.J. Hales & Joanna Paul (Oxford and London: Oxford University Press, 2011), pp. 118-35.
"Afterimage of the Eruption: An Archaeology of Chassériau's Tepidarium (1853)," Art History, 33:3 (June 2010), pp. 466-89.
"Ingres's Studio Between History and Allegory: Rachel, Antiquity, and Tragédie" The Art Bulletin, 88:3 (September 2006), pp. 525-51.
"Ingres's Second Madame Moitessier: 'Le Brevet du Peintre d'Histoire,'" Art History, 23:5 (December 2000), pp. 681-705. Reprinted in Fingering Ingres, edited by Susan L. Siegfried & Adrian Rifkin (Oxford: Blackwell, 2001), pp. 31-55.
Selected review articles
"Where Do We Come From? What Are We? Where Are We Going?" [Review of Margaret Iversen & Stephen Melville, Writing Art History. Disciplinary Departures (Chicago: University of Chicago Press, 2010)] Art Journal (September 2013).
Italy's Eighteenth Century: Gender and Culture in the Age of the Grand Tour, ed. Paula Findlen, Wendy Wassyng Roworth & Catherine M. Sama (Stanford, CA: Stanford Unversity Press, 2009) [book review], March 2011, CAA.Reviews (on-line book reviews published by the College Art Association).