In the wake of the white-supremacist terrorism of August 11-13, we wish to highlight and paraphrase some of the comments of Ian Baucom, Dean of Arts and Sciences:
Be assured that the Art Department remains a space where all can pursue the dialogue that counters the lies of racism, anti-semitism, homophobia, and nativism.
We are prepared to stand up for and support those who have been singled out as targets for hatred. The courage of free thought opposing cowardice and bigotry endures and persists here despite violence.



Publications

Books

British Art and the Seven Years' War: Allegiance and Autonomy, Philadelphia: University of Pennsylvania Press, 2010.

Tim Barringer, Geoff Quilley & Douglas Fordham, eds. Art and the British Empire. Manchester, U.K., Manchester University Press, 2007.

Book chapters

"Hogarth's Act and the Professional Caricaturist" in Hogarth's Legacy, edited by Cynthia Roman (Yale University Press, 2016), 23-49.

"Outside the Painter's Garden," in Lucian Freud Etchings, Co-published by The Fralin Musem of Art at the University of Virginia and Acquavella Galleries, New York, 2015, 37-39.

"Satirical peace prints and the cartographic unconscious," in Exhibiting Empire, edited by John Mackenzie and John McAleer (Manchester University Press, 2015), 64-89.

"George Stubbs's The Zebra and the Spectacle of Fine Art," The Culture of the Seven Years' War: Empire, Identity, and the Arts, ed. Frans De Bruyn & Shaun Regan (Toronto: University of Toronto Press, 2014), 284-306.

"The Thoroughbred in British Art," The Cambridge Companion to Horseracing, ed. Rebecca Cassidy (Cambridge: Cambridge University Press, 2013) 26-43.

"On Bended Knee: James Gillray's Global View of Courtly Encounter," The Efflorescence of Caricature, 1715-1838, ed. Todd Porterfield (Farnham: Ashgate, 2011), 61-78.

"Scalping: Social Rites in Westminster Abbey," Art and the British Empire, ed. Barringer, Quilley, and Fordham (Manchester: Manchester University Press, 2007), 99-119.

Journal articles

"State, Nation and Empire in the History of British Art," Perspective: La revue de l'INHA, no. 1 (2013), 723-42.

Douglas Fordham and Adrienne Albright, "The Eighteenth-Century Print: Tracing the Contours of a Field," Literature Compass 9/8 (2012), 509-20.

"George Stubbs's Zoon Politikon," Oxford Art Journal 33:1 (2010), 1-23.

"New Directions in British Art History of the Eighteenth Century," Literature Compass 5 (2008), 1-12.

"Costume Dramas: British Art at the Court of the Marathas," Representations 101 (Winter 2008), 57-85.

"Allan Ramsay's Enlightenment; or, Hume and the Patronizing Portrait," The Art Bulletin 88:3 (2006), 508-24.

"William Hogarth's The March to Finchley and the Fate of Comic History Painting," Art History, 27:1 (February 2004), 95-128.