In the wake of the white-supremacist terrorism of August 11-13, we wish to highlight and paraphrase some of the comments of Ian Baucom, Dean of Arts and Sciences:
Be assured that the Art Department remains a space where all can pursue the dialogue that counters the lies of racism, anti-semitism, homophobia, and nativism.
We are prepared to stand up for and support those who have been singled out as targets for hatred. The courage of free thought opposing cowardice and bigotry endures and persists here despite violence.

Dorothy C. Wong

Associate Professor
Chinese Art, Buddhist Art, Silk Road Studies
BA, International Christian University, Tokyo
M. Phil., Chinese University of Hong Kong
PhD, Harvard University, 1995
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Specializing in Buddhist art of medieval China, Dorothy Wong's research addresses topics of art in relation to religion and society, and of the relationship between religious texts/doctrine and visual representations. Her publications include Chinese Steles: Pre-Buddhist and Buddhist Use of a Symbolic Form (2004; Chinese edition 2011), Hōryūji Reconsidered (editor and contributing author, 2008), China and Beyond in the Mediaeval Period: Cultural Crossings and Inter-regional Connections (co-editor with Gustav Heldt, and contributing author, 2014), and many articles on a wide range of topics in relation to Buddhist art. Her most recent book, Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770, has been published by the National University of Singapore Press in 2018.

As a fellow at the Institute for Advanced Technology in the Humanities at the University of Virginia, she is working on a digital project entitled: "Power of Compassion: Paths of Transmission of Avalokitesvara"

Dorothy Wong previously has taught at Florida State University from 1995 to 1997. As Visiting Professor, she has also taught at The Chinese University of Hong Kong, the Eötövs Loránd University, Budapest, and the Centre of Buddhist Studies at the University of Hong Kong. A former editor of the Asian art magazine Orientations, she currently serves on the editorial board of Buddhist Art of China. She has received fellowships from the American Association of University Women, Center for Advanced Study in the Visual Arts at the National Gallery of Art, the Whiting Foundation, the Radcliffe Institute for Advanced Study at Harvard University, and the National Humanities Center. She has been appointed a three-year term as a Foreign Research Fellow of the International Wutai Institute of Buddhism and East Asian Culture, China, in 2016. She is also affiliated with the Hong Kong Institute for the Humanities and Social Sciences of the University of Hong Kong. Currently she serves as the Director of the East Asia Center at the University of Virginia.