
Click on the exhibition title below to see dates and scheduled events. The "Read more" link under some listing provides additional information.
Films of Peter Whitehead
Within Our Gates
The Short Films of Alan Berliner
We inaugurate the second year of the Museum's New Media Gallery, thanks to the sponsorship of Crutchfield and the Virginia Film Festival.
Films of Peter Whitehead
July 3 - September 30
Four counter-culture films made in the 1960s are
featured.
According to Dave Calhoun, writing in Time Out,
“Whitehead was the greatest avant-garde British
filmmaker of the Sixties. His films stand together as
an unrivalled record of that decade's counter-culture”
The rotating schedule features four of Whitehead's
remarkable films, which have been rediscovered
and celebrated during an international tour over the
past few years. Wholly Communion documents
Allen Ginsberg and other Beat poets at the Royal
Albert Hall in 1965; Benefit of the Doubt records
Peter Brook directing his anti-Vietnam War play US,
starring Glenda Jackson, for the Royal Shakespeare
Company in 1967; Tonite Let's All Make Love in
London is an impressionistic view of the mod scene in London, with appearances by Mick Jagger, Julie Christie, Michael Caine, and David Hockney, and music by Pink Floyd; and
Charlie is my Darling is Whitehead's rarely screened documentary on Rolling Stonemania
in England.
Within Our Gates
by Oscar Micheaux
October 3 - November 2, 1 and 3 pm
African-American filmmaker Oscar Micheaux made
this 1920 silent film as a response to D.W. Griffith's
Birth of a Nation and to oppose any defense of the
Klan and lynching. The story focuses on an African
American woman who goes North in an effort to
help a Southern minister raise money to sustain
a school for poor children. Her romance with a black
doctor eventually leads to revelations about her
family's past that expose the racial skeletons in
America's closet. The film is shown in support of the
Museum's programs Forming American Identities:
Our Southern Legacy and scheduled in conjunction with the colloquium on September 30, 5:30 pm, in the Museum, on “Cinematic Representations” with Carmenita Higginbotham, assistant professor, McIntire Department of Art, and Jane Gaines, professor, Department of English, Duke University.
The Short Films of Alan Berliner
November 3 - December 23
Berliner, whose films are featured in this year's
Virginia Film Festival, is known primarily for his
experimental variations on the “home movie,” such
as Family Album and Nobody's Business. He is also
acclaimed for his astonishing editing skills, which
are on full display in the early short films collected
for this program, including Everywhere at Once (1985) and City Edition (1980).