August 7 - October 10
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Man Ray
American, 1890–1976
Noire et blanche (negative image), 1926
Gelatin silver print, 9 x 11 inches
Private Collection, NYC
© 2010 Man Ray Trust/Artists Rights Society (ARS), New York/ADAGP, Paris |
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Organized by International Arts & Artists, Washington DC
Curated by independent curator Wendy Grossman, PhD
Man Ray, African Art, and the Modernist Lens brings to light photographs of African objects by American artist Man Ray (1890–1976) produced over a period of almost twenty years. In addition to providing fresh insight into Man Ray’s photographic practice, the exhibition raises questions
concerning the representation, reception, and perception of African art as mediated by the camera lens and features photographs by Man Ray from the 1920s and 1930s and by his international avant-garde contemporaries such as Charles Sheeler, Walker Evans, Alfred Stieglitz, and André Kertész.
For the first time, a number of these photographs are presented alongside the original African objects they feature. The juxtaposition offers a rare opportunity to encounter first-hand how various photographic techniques of framing, lighting, camera angle, and cropping evoke radically different interpretations of these objects. Books, avant-garde journals, and popular magazines also on display illustrate how these photographs circulated and promoted ideas about African art and culture to an international audience.
Organized into four sections, the exhibition frames the objects and images within diverse contexts, including the Harlem Renaissance, Surrealism, and the worlds of high fashion and popular culture.
A 200-page catalogue accompanies the exhibition.
The exhibition is funded in part by the Terra Foundation for American Art, the National Endowment for the Arts as part of the American Masterpieces program, and the Dedalus Foundation, Inc. Man Ray is made possible at U.Va. through the generous support of the U.Va. Art Museum Volunteer Board, the Eugene V. and Clare E. Thaw Charitable Trust, Anonymous donor, Arts Enhancement, Arts Council, Arts$, Precision Sports Surfaces, Inc., The Carl H. and Martha S. Lindner Center for Art History, Carter G. Woodson Institute for African American and African Studies, Corcoran Department of History, Albemarle Magazine, The Hook, and The Links, Inc.

Final Friday Receptions
August 27 & September 24, 5:30–7:30 pm
Saturday Special Tours
by Benjamin Ray
August 28, 2–3 pm
by Matthew Affron
September 25, 2–3 pm
Man Ray Day
A community celebration held in conjunction with this exhibition and the special exhibition African Art Beyond the Modernist Lens.
Saturday, August 21
12–3 pm
In the Museum
For more information >
Man Ray Film Series
Mondays, September 13, 20, 27 & October 4, 5:30 pm
Campbell 160
See details >
Lunchtime Talk
by Matthew Affron
Curator of Modern Art and Academic Curator
September 14, 12 pm
Man Ray Lectures
Black to the Future: Race, Modernity, and Power in Interwar Paris
By Tyler Stovall
Professor of History,
Dean of the Undergraduate Division of the College of Letters and Science,
University of California, Berkeley
Thursday, September 16, 5:30 pm
Campbell 153
The Black Body: Modernism in Photography
by Deborah Willis
Chair, Department of Photography & Imaging, Tisch School of the Arts;
University Professor, College of Arts & Sciences, Africana Studies, New York University
Thursday, September 30, 5:30 pm
Campbell 153
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All screenings start at 5:30 pm, Campbell 160
September 13
African-American Performance in Hollywood
discussant: Eric Lott, English
Black and Tan
dir: Dudley Murphy; with Duke Ellington; 19 min., 1929
Hallelujah!
dir: King Vidor; with Daniel N. Haynes; music by Irving Berlin, 90 min., 1929
September 20
Documents of French Colonial Africa
discussant: Alison Levine, French
Sous les masques noirs (Under the Black Masks)
dir: Marcel Griaule, 9 min., 1938
La France est un empire (France is an Empire)
compilation film written by Jean d’Agraives and Emmanuel Bourcier, 90 min., 1939
Les statues meurent aussi (Statues Also Die)
dir: Alain Resnais and Chris Marker, 30 min., 1953
September 27
Josephine Baker in Paris
discussant: Carmenita Higginbotham, Art/American Studies
Excerpts from La Revue des revues (Parisian Pleasures)
dir: Joe Francys; with Josephine Baker, 1927
La Princesse Tam Tam (Princess Tam Tam)
dir: Edmond Gréville; with Josephine Baker, 77 min., 1935
October 4
Man Ray: Filmmaker
discussant: Matthew Affron
Retour à la raison (Return to Reason)
2 min., 1923
Ballet mécanique
dir: Dudley Murphy and Fernand Léger; with cinematography by Man Ray, 19 min., 1924
Emak-Bakia
16 min., 1926
L’Etoile de mer (The Starfish)
15 min., 1928
Les Mystères du Château de Dé (The Mysteries of the Château of Dice)
20 min., 1929
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Thursday, September 16
8 pm
$5
The Bridge
In collaboration with UVaM's Man Ray: African Art & the Modernist Lens exhibition, The Bridge Progressive Arts Initiative, a non-profit arts organization in the Belmont neighborhood, is hosting Man Ray Film Screening. The screening will be an evening of 16mm films focusing not only Man Ray's enduring legacy in experimental film but also on contemporary experimental filmmakers' use of Africa as a means of reflecting on the spatial and temporal experiences of late modernity.
Elasticity
dir.: Chick Strand
25 minutes, color, 1976
Medina
dir.: Scott Bartlett
5 minutes, color, 1972
7362
dir.: Pat O’Neill
11 minutes, color, 1965-67
The Sleepers
dir.: Mark Lapore
16 minutes, color, 1989
See details >