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John Roberts MFA
1985 Design
Still in Florida now 14 years on with Disney. Oldest son will attend
University of Florida in '07 and will major in Aerospace Engineering.
Youngest now in middle school and creating havoc for batters when he
pitches for his AAU baseball team. Now married 18 years and it seems
like only yesterday I was in Grad School. Time Flies. Would love to
hear from any of the folks who were there when I was in the early 80's.
Elizabeth Bernard BA 2004 Drama (Lighting Design)
After graduation, I spent a short period of time in Chicago continuing
to work for the Chicago Shakespeare Theatre and various other Chicago
playhouses before deciding to follow (and marry!) my beau Scott Sommers
to Washington for training as a US Diplomat. We are currently living
in Ouagadougou (wah-gah-doo-goo), Burkina Faso in West Africa on Uncle
Sam's dime, and we'll be working at the Embassy here until June of
2007. After that, it'll be a new country every two or three years.
My career as a fine art photographer (to oversimplify: it's just static
lighting design, right?) has been going full tilt boogie since our
arrival here with expat event photography, field photography for the
Millennium Challenge Corporation, and art shows. No theatre for me
at this post, but maybe next time... Cheers to all the sparkies!
Kristin Chebra BA 1997 Drama and Government
I am an Entertainment Manager at Walt Disney World. It's the greatest
job in the world,I get to work where people play. Drop me a line if
you're headed down to
Orlando!
Andrea (Haggard) Wakely BA 1993 Biology/Drama (Costuming)
Studio Art Minor
I started a costuming company in 2000 called Twin Roses Designs and
offer in-stock and custom ordered costumes to individuals and groups.
Our website is http://www.twinrosesdesigns.com if
you’d like to check it out!
Bannon Puckett BA 1993 Drama & English
Upon graduating from UVA, Bannon lived in Los Angeles for a year
working at the headquarters for Samuel Goldwyn's national arthouse
chain Landmark Theatres. In 1996, he completed his M.Ed. in English
Education at the University of Georgia. After a stint as a Managing
Editor for a small electronic publishing company, he moved to Seattle
to be a Marketing Communications Manager at Microsoft, where he helped
launch the web site for the Xbox. Since 2002, Bannon has been bringing
together his theater, marketing, writing, and education experience
as the Senior Advertising Copywriter for the John F. Kennedy Center
for the Performing Arts in Washington, DC. In early 2006, he bought
his first condo in Alexandria, Virginia, and continues to hang out
with his trusty beagle Salinger.
See what our alumni
have been doing by visiting our alumni
page.
Alumni: Share your news with us. Email updates and links
to mr2xk@virginia.edu
Support the
Department of Drama
Click here to
give online
Or you can give by mail:
Send a check with "Dept. of Drama" in the subject line to:
University of Virginia
PO Box 400807
Charlottesville, VA 22904
Be sure to indicate your gift is
for the Department of Drama!
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Faculty News, Fall 2006

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Pam Black,
Instructor, Figure Drawing, has an exhibit of her drawings entitled
“Sugar” appearing at the Walker Fine Arts Center, Baker Gallery
in the Woodberry Forest School, September 5 – Oct 28. |
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Kate Burke, Associate
Professor, Voice, Speech, Acting, is once again
teaching a fall theatre voice course for the M.Litt./MFA degree
program at the American Shakespeare Theatre in partnership with
Mary Baldwin College in Staunton, VA. This summer she was
text and dialect coach for The
Matchmaker, Measure for Measure, and Romeo
and Juliet at American Players Theatre in Spring
Green, WI. She recently became the department’s Equal Opportunity
Officer and also serves as a faculty advisor to U.Va.’s St. Anselm
Institute, which brings 4 Catholic theologians and thinkers to
grounds for lectures each year and sponsors other activities
for Catholic students. She offers private voice coaching
to newscasters at Piedmont-area channels 19 and 29. |
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Bob Chapel,
Professor of Drama/Producing Artistic Director, Heritage Repertory
Theatre, spent the 2005-06 academic year on leave, having stepping
down after 15 years as chair of the department. Bob spent
three weeks last September teaching workshops in Musical Theatre
Performance (in English) in Moscow, at the Russian Academy of
Theatre Arts (GITIS), and the Cinematography Institute (VGIK). Upon
returning in October, he immediately went to Ann Arbor, Michigan
to direct a well-received production of Moises Kaufman’s The
Laramie Project for the University of Michigan’s Department
of Theatre and Drama. This past February-May, Bob served
as Artist in Residence at the University of Tasmania’s School
of Visual and Performing Arts, directing Oliver Goldsmith’s She
Stoops to Conquer for their acting conservatory. Bob
then produced five shows for the Heritage Rep summer, directing
two, South Pacific and Sunday in the Park with George. He
has returned to teach in the department this fall, but his travels
aren’t over, as he’s been invited back to Moscow and GITIS to
direct Sweeney Todd this November/December on a Fulbright Senior Specialists
Grant. A Michigan alum, he has been invited back to direct the very first
production in the University of Michigan’s new Arthur Miller Theatre, Miller’s
stage adaptation of his teleplay, Playing For Time, the centerpiece
of an international conference on Miller. |
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John Frick, Theatre History
and Dramatic Literature, has assumed the Presidency of
the American Theatre and Drama Society; published an entry on
producer Richmond Dillard Crinkley in the Dictionary of Virginia
Biography; presented
a conference paper, "Not From the Drowsy Pulpit: The Moral
Reform Melodrama on the Nineteenth Century Stage" to be
published in the 2007 edition of Theatre Symposium;
had a second article, "A New Look at an Old Play: Re-reading
Royall Tyler's The Contrast," accepted for publication in The
New England Theatre Journal; and wrote a third
article, "But is it Art? 'Reading' Popular Entertainment" for
a book titled Thinking of Reading to be published by
the University Press of Virginia. John has been invited
to present a paper, "A Second Glance at New York; or, New
York as it Really is," at the NYC Edwin Forrest's New York,
Conference in November and has been invited to present "The
Ante Bellum Dramatizations of Uncle Tom's Cabin" at
the Uncle Tom's Cabin in the Web of Culture” multi-disciplinary
conference at the Harriet Beecher Stowe Archive in Hartford in
June 2007. In spring 2007, John will be on sesquicentennial
leave in London continuing research on his current book, The
Theatre and the City: Representations of the Metropolis on the
American Stage. |
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Gweneth West,
Professor, Costume Design, created clothes for U.Va.’s Luminosity (directed
by Betsy Tucker) in the Helms in March. She designed and
executed the clothes for School for Husbands (directed
by Roseann Sheridan) for the summer Texas Shakespeare Festival
in Kilgore, Texas. There she worked with several actors
from the University of Delaware MFA Acting program, where actress
Sara Dandridge (veteran U.Va. and HRT performer) is currently
enrolled. Having completed her responsibilities as KCACTF
Region IV Design Chair, she will be the design representative
on the three-member KCACTF National Selection Team at all 8
regional festivals. After seeing over 50 spring productions
the team will select six for presentation at the National Festival
at the Kennedy Center in April. Soon after she will be
attending the Prague Quadrenniel ’07 as a member of OISTAT Costume
Working Group. She was promoted to full professor as of
August 2006. |
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Michael
Rasbury, Assistant
Professor, Sound Design, started his work this summer at The
Lost Colony in Manteo, North Carolina. He served as sound
designer and assisted with the installation of a new $250,000
surround sound system, installed by Creative
Visions, Inc. From there, he traveled to California to serve
as composer/sound designer for Lake Tahoe Shakespeare Festival's
productions of Twelfth
Night and Othello.
Examples of these compositions can be heard here.
In the spring of 2006, he received a $2600 grant from the University
of Virginia's Council for the Arts for the purchase of a portable
digital recording system. |
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