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  John Roberts MFA 1985 Design
Still in Florida now 14 years on with Disney. Oldest son will attend University of Florida in '07 and will major in Aerospace Engineering. Youngest now in middle school and creating havoc for batters when he pitches for his AAU baseball team. Now married 18 years and it seems like only yesterday I was in Grad School. Time Flies. Would love to hear from any of the folks who were there when I was in the early 80's.

Elizabeth Bernard BA 2004 Drama (Lighting Design)
After graduation, I spent a short period of time in Chicago continuing to work for the Chicago Shakespeare Theatre and various other Chicago playhouses before deciding to follow (and marry!) my beau Scott Sommers to Washington for training as a US Diplomat. We are currently living in Ouagadougou (wah-gah-doo-goo), Burkina Faso in West Africa on Uncle Sam's dime, and we'll be working at the Embassy here until June of 2007. After that, it'll be a new country every two or three years. My career as a fine art photographer (to oversimplify: it's just static lighting design, right?) has been going full tilt boogie since our arrival here with expat event photography, field photography for the Millennium Challenge Corporation, and art shows. No theatre for me at this post, but maybe next time... Cheers to all the sparkies!

Kristin Chebra BA 1997 Drama and Government
I am an Entertainment Manager at Walt Disney World. It's the greatest job in the world,I get to work where people play. Drop me a line if you're headed down to
Orlando!

Andrea (Haggard) Wakely BA 1993 Biology/Drama (Costuming) Studio Art Minor
I started a costuming company in 2000 called Twin Roses Designs and offer in-stock and custom ordered costumes to individuals and groups. Our website is http://www.twinrosesdesigns.com if you’d like to check it out!


Bannon Puckett BA 1993 Drama & English
Upon graduating from UVA, Bannon lived in Los Angeles for a year working at the headquarters for Samuel Goldwyn's national arthouse chain Landmark Theatres. In 1996, he completed his M.Ed. in English Education at the University of Georgia. After a stint as a Managing Editor for a small electronic publishing company, he moved to Seattle to be a Marketing Communications Manager at Microsoft, where he helped launch the web site for the Xbox. Since 2002, Bannon has been bringing together his theater, marketing, writing, and education experience as the Senior Advertising Copywriter for the John F. Kennedy Center for the Performing Arts in Washington, DC. In early 2006, he bought his first condo in Alexandria, Virginia, and continues to hang out with his trusty beagle Salinger.

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A Hug For Everyone
By Suzy Quinn
10/10/06

 
Steve Warner
Susy Quinn (left) and Lizzy Hafter (right)
 

This is the hardest thing I’ve ever had to write.  I would easily trade in this assignment for a 20-page research paper on the major laws of thermodynamics, and I got a C+ in “How Things Work”.  Lizzy Hafter never got poor grades in school.  If something was hard for her, she would face the challenge with a stubborn will to overcome it.
           
The hardest thing in Lizzy’s life was when her father died in high school.  The death wasn’t sudden, but that didn’t make it any easier for a self-proclaimed “Daddy’s Little Girl”.  So she did what she could to honor his memory and celebrate his life.  She grew closer to her mom Joanne and to her sister Stephanie, she told stories about him everyday, she even wore his orange-and-blue knit scarf when it was cold outside.  I would be content to learn that Lizzy was gazing out onto the breathtaking Shenandoah Valley and its trees with their changing colors on that fateful day in September.  The leaves in their yellows, oranges, and reds would be her signal that she could soon wrap a little treasure from her father’s life around her, hugging Lizzy as if he were with her again.
           
When I received word of Lizzy’s death, I couldn’t comprehend how someone so young, so vivacious, so compassionate, so anything, could be taken from us in this unpredictable world.  Lizzy could comprehend how unpredictable it was, more so than most of her peers.  She was both intelligent and wise for her age, which was twenty-two years.  And yet, she also loved to regress to her childhood by maintaining a collection of Care-Bears memorabilia (friends at school would recognize her signature black hoodie emblazoned with Grumpy Bear – it was part of her “look”). 
           

 
Steve Warner
Lizzy Hafter
 

For her birthday this past February I gave her the Care-Bears movie.  She was ecstatic over it, and mentioned through shrieks of joy that she already had taped it on VHS but now could watch it with higher-quality images.  Lizzy also loved her mom’s cheesecake, and even shared one from home with the cast and crew of Truth & Beauty.  She was always offering signs of love like that.  Another favored gesture was her patented hug.  At five feet, nine inches tall, I was accustomed to embracing mostly her head, but Lizzy’s modest height didn’t even stop her from throwing her arms around the school quarterback.  There was so much power and light in one hug from her that it had the ability of making anyone’s day better.
           
I met Lizzy during my first semester at UVA when we were both singing townswomen in the department’s production of The House of Bernarda Alba.  As the reserved new girl, I admired Lizzy’s ease in conversation, her eagerness to make connections with other people.  I quickly figured out that this cheerful force of friendliness with the body of a mouse had the spirit of a lion.
           
My initial impressions of Lizzy were reaffirmed in the three years I knew her.  Through several drama classes, an endless number of auditions, and four productions we grew closer.  I had the privilege last fall of having her in a play I directed, Bad Seed.  She was the veteran actor of the bunch, and I attribute much of the success of our acting ensemble to the example Lizzy set early on.  Always punctual and prepared, Lizzy was the first at rehearsal, the first to memorize her lines, and one of the most willing explorers of her character.  She made fast friends with her fellow actors, and I think they admired her never-ceasing enthusiasm.  As for the role she played, I cannot help but find irony during this time of mourning.
           
I cast Lizzy as a mother searching for answers about the murder of her son.  This mother in many ways resembled how I saw Lizzy: the center of attention, persistent, cynical but often in humorous ways.  Since Lizzy died, I have envisioned her devastated mother adapt to the very role her daughter played in front of a proud mom just ten months ago.  Joanne never missed a show Lizzy was a part of, making the eight-hour drive from Columbia, South Carolina every time to witness her younger daughter realizing a dream born inside her a long time ago.  The two Hafters were more alike than any mother-daughter set I’ve known, and had recently made their transition to being best friends.
           
Lizzy was loved by so many, both in Charlottesville and in her hometown.  The tragic news that she had been killed brought a wave of sadness over the southeast.  Mutual friends I’ve talked to can only ask why such a horrible event could happen to a bright young woman meeting the prime of her life.  She was studying in graduate courses at the Curry School to become a history teacher, though she hadn’t ruled out teaching drama either.  In her selfless mission to help others through learning, Lizzy has unknowingly already provided us with some of the most important lessons we can ever learn: to live life humbly, to keep our goals in focus, and to love our fellow neighbor.  She can be remembered how she would’ve wanted to be remembered, as a teacher and as a star.
           
Bravo, Lizzy.  This one’s for you.

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