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Having played opposite the legendary Eartha Kitt in the musical "Mimi Le Duck" Off-Broadway this past autumn, Allen returned to Seattle to appear as 'Robert' in "Proof" at the Tacoma Actors Guild, which opened Feb. 15 for a limited run. While rehearsing that play, Allen was doing double-duty as director of "The Exonerated," opening March 9 at the historic Everett Theatre. On April 5th, he begins performances as 'Charles' in Sarah Ruhl's "The Clean House" at Seattle's ACT Theatre, and on May 26, he'll open in "West Side Story" at the 5th Avenue Theatre (where he starred as 'Sweeney Todd' in 2005). Allen spends his offstage time creating the Icicle Creek Theatre Festival, of which he is the artistic director; the Festival, to have its inaugural season this coming August, is currently accepting submissions of new plays. All are encouraged to investigate our website: www.iciclecreekact.com.

Yours, Allen Fitzpatrick

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Faculty and Staff News, Fall 2007
New hires, U.Va. Drama goes to Italy, faculty news and more.

NEW FACES:
    Keira Hart: Part-Time Dance Lecturer
Keira recently moved to Charlottesville after receiving her MFA in Dance from Arizona State University.  For the past year, Keira has been working with the Miki Liszt Dance Co. in Charlottesville and has been actively creating and presenting new dance and video work.  As an undergraduate at James Madison University, Keira received B.A.’s in both Dance and Media Arts & Design.   Keira has a keen interest in melding dance with other artistic mediums especially video and design.  She has won awards for her dance video work at the American Dance Festival and presented her choreography and video work numerous places such as The John F. Kennedy Center for the Arts, The Arena Stage in DC, Phoenix AZ, Harrisonburg VA, Bellingham WA, and Charlottesville VA.  While attending ASU, Keira had the opportunity to act as the graduate rehearsal director for Dance Arizona Repertory Theatre, a performance and community service based dance company comprised of undergraduate dance majors.  She was also taught two undergraduate classes, and was the dance graduate assistant to the Arts Media & Engineering program as a dance translator for the dance and technology project entitled Motion E with choreographers Bill T Jones and Trisha Brown using state of the art motion capture technologies.  Keira has had the opportunity to attend a number of dance festivals including the Dance for the Camera Film and Video Festival in Salt Lake City Utah, the American Dance Festival in Durham North Carolina, Bates Dance Festival in Maine, Breaking Grounds Dance Festival in Toronto Canada and M.E.L.T. Dance Festival in New York City.
    H. Caitlin McLeod: Production Coordinator/ Stage Management Lecturer
Caitlin recently moved to Charlottesville from New Orleans where she worked as Professor of Stage Management at Loyola University, New Orleans.  Prior to Hurricane Katrina, Caitlin was Resident Stage Manager and Production Manager at Southern Rep Theater, New Orleans; an Equity Theater specializing in world or regional premiers.  Before joining Southern Rep Caitlin stage managed at the Public Theater in New York where her credits include,Caroline or Change, Henry V, New Works Now! and Radiant Baby.  Other New York and New Orleans credits include Fortinbras,Therese Raquin, Arms and the Man, A Midsummer' Night's Dream, Cookin' , Hot L Baltimore, The Goat, Intimate Apparel, Vulgar Soul and Okra.  Caitlin holds an M.F.A. from Rutgers University Mason Gross School of the Arts and is a member of Actor's Equity Association.
FACULTY SPOTLIGHT:
Robert Chapel  

Marianne Kubik: A Practical Immersion into Commedia dell'Arte in Italy
As part of U.Va.’s January Term, Assistant Professor Marianne Kubik will take U.Va. students to Arezzo, Italy to study the history, cultural significance and performance technique of commedia dell'arte (or "theater of the professional artist"), a traditional street theater of the Italian Renaissance. Students will spend the majority of the course at the Accademia dell'Arte in Arezzo, where they will participate with students from Wagner College (in N.Y.) in master classes in movement, voice, commedia dell'arte and mask technique. Please visit www.virginia.edu/januaryterm for more information.

MORE FACULTY NEWS:
Robert Chapel  

Bob Chapel, Professor of Drama, will be taking a cabaret show which feature classic Broadway music to Russia for a two-week tour of four to six cities, including two performances in Moscow.  The small company of singers/actors/dancers features Heritage Repertory Theatre veterans Rob Marnell, Kelly Schmidt and Sarah Stevens.  The project is sponsored by the U.S. Embassy in Moscow.  Bob directed Sweeney Todd in Moscow last year which was underwritten by a Fulbright Senior Specialists Grant.  The production ran in central Moscow until June 25 of this year.  This past summer, Bob taught two theatre courses on the MV Explorer for the U.Va. sponsored "Semester at Sea," traveling to eight Central and South American countries.  He is also busy planning the re-opening of the Heritage Repertory Theatre for the summer 2008 season.  HRT was forced to be dark this past summer due to construction around the Drama Building.  Betwixt and between, he is currently teaching three courses, one of which is new -- Musical Theatre History.  He will be directing The Voysey Inheritance, written by Harley Granville Barker and adapted by David Mamet, for the Drama Department next spring.

John Frick  

John Frick, Professor of Theatre History and Dramatic Literature, recently completed his first year as President of the American Theatre and Dramatic Society – a year in which ATDS sponsored an international conference on the late African American playwright August Wilson and a two-day conference exclusively for graduate students, in addition to participation in the annual Association for Theatre in Higher Education conference in New Orleans.  During the same time period, John spent a sabbatical leave in London conducting research for a book titled The Theatre And The City: Representations Of The Metropolis On The American Stage; published articles in The New England Theatre Journal, The Journal Of American Drama And Theatre, Theatre Symposium and The Encyclopedia Of American Urban History;contributed an article ("A Second Glance at New York; or, New York as it Really Is") to a book titled  Edwin Forrest’s New York: Drama And Politics In The 19th Century City; and began a second book, Staging Tom: Uncle Tom's Cabin On The American Stage And Screen.   An article on Uncle Tom on stage appears on the Uncle Tom’s Cabin & American Culture website, click Interpret Mode, then Interpretative Exhibits).

     
     
     

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