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See our "new and improved" rigging system in action. Click here to watch a video of one of the new system's operations. Read more about this in an article by our Technical Director, Steven Warner... (read more) See what our alumni have been doing by visiting our alumni page. Click here to support the Department of Drama.
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"Most of our energy in theatre is focused on creating art with a specific goal, so I appreciate having the time in drawing class to explore art for its own sake,” reflects Britney Belz, 3rd year MFA in Costume Design and Technology. “It is a relief to be able to enjoy the process of creation and embrace the final product, whatever that may be." Last year, I wrote an article about the drawing program I offer the graduates students in the Department of Drama. With more experience behind them and new materials being explored, I thought I would continue featuring their work and discussing the value of studying drawing/painting as part of their curriculum.
I have seen great progress in the three years I have taught this class of 2008. The students are more facile, efficient, perceptive and innovative while being more accurate and self-disciplined. Their work is more personally rewarding because artistic choices are based on their cumulative knowledge of the drawing and design. The human figure continues to be the main subject; however presently, it is being explored in a series of tonal paintings.
When the students enter the studio each week, they have a lot on their minds and calendars. They discuss the upcoming deadlines for tech rehearsals and how each is experiencing the compression of time. There is a feeling of preoccupation in the air; however, as soon as the model is seated in a pose, the graduates become silent and intent.
Their eyes scan the human figure for proportion and relationship to content. The students’ expressions’ are one of discernment. These unique 2 ½ hours of drawing/painting from observation provides not only a meditation/an opportunity for the graduate students to submerge themselves in the creative process, but, contains and integrates the energies of costume, lighting and scenic design. Click here to open a gallery representing some of the other results from "Draw to Know."
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| Last Updated on January 25, 2008 | ||