No Photo Lorna Martens
Professor

Degrees

Ph.D. in Comparative Literature, Yale University, 1976 

M.Phil. in Comparative Literature, Yale University, 1973 

B.A. in German Literature, Reed College, 1969


Interests


As her publications show, Lorna Martens's research interests are wide-ranging.  She has worked in areas in Comparative Literature (German, English, French) from the eighteenth century to the present.  She nevertheless keeps coming back to the period around 1900;  to narrative, poetry, and autobiography, and their theories; and to feminist and women's studies issues.  She is drawn to canonical as well as neglected literature, to classic textual analysis and literary history, and to literary, cultural, psychoanalytic, and aesthetic theory.  Right now she is working on a topic at the intersection of psychology and literature:  childhood memory and its treatment in autobiographical narrative. 
 

Books

The Diary Novel (Cambridge: Cambridge University Press, 1985), 307pp.  (First history of the diary novel, concentrating on French, German, and English works;  some Russian and Scandinavian; genre theory; interpretations of major works by writers such as Defoe, Gide, Rilke, Frisch, Butor, and Doris Lessing.)  

Shadow Lines: Austrian Literature from Freud to Kafka (Lincoln: University of Nebraska Press, 1996), 291pp. (Literary analysis of major writers of the 1890-1924 period.) 

The Promised Land?  Feminist Writing in the German Democratic Republic (Albany:  State University of New York Press, 2001), 273 pp. (A Women's Studies title.) 

Childhood Memory in Modernism:  Proust, Rilke, and Benjamin (in progress). 

Gender and Childhood Autobiography (in progress).  (On women's childhood autobiographies worldwide.)

Articles

 
"Empty Center and Open End: The Theme of Language in Michel  Butor's L'Emploi du temps," PMLA, 96 (1981), 49-63. 

"Irreversible Processes, Proliferating Middles, and Invisible Barriers: Spatial Metaphors in Freud, Schnitzler, Musil, and Kafka," in Focus on Vienna 1900, ed. Erika Nielsen, Houston German Studies 4 (München: Fink, 1982), 46-57. 

"Secrets, Speech, and Silence: Stefan Zweig's Concept of Expressive Language," Hebrew University Studies in  Literature, 10 (1982), 181-207. 

"Mirrors and Mirroring: 'Fort/da' Devices in Texts by Rilke, Hofmannsthal, and Kafka," Deutsche Vierteljahrsschrift, 58 (1984), 139-155. 

"Saying 'I'", Stanford Literature Review, 2 (1985), 27-46. 

"Autobiographical Narrative and the Use of Metaphor:  Rilke's Techniques in Die Aufzeichnungen des Malte Laurids Brigge," Studies in Twentieth Century Literature 9 (1985), 229-249. 

"Geschlecht und Geheimnis:  Expressive Sprache bei Stefan Zweig," in Stefan Zweig heute,  ed. Mark H. Gelber (New York: Peter Lang, 1987), pp. 44-65. 

"The Theme of the Repressed Memory in Hofmannsthal's Elektra," The German Quarterly, 60 (1987), 38-51. 

"Musil and Freud:  The Foreign Body in 'Die Versuchung der stillen Veronika,'" Euphorion, 81 (1987), 100-118. 

"Art, Freedom, and Deception in Kafka's 'Ein Bericht für eine Akademie,'" Deutsche Vierteljahrsschrift, 61 (1987), 720-732. 

"A Dream Narrative: Schnitzler's 'Der Sekundant,'" Modern Austrian Literature, 23, Nr. 1 (1990), 1-17. 

"Kunst und Gewalt: Bemerkungen zu Hofmannsthals Ästhetik," Austriaca, 37 (1993): 155-165. 

"'Der Schwung der Figur': Rilke's Debt to Valéry," Comparative Literature 47 (1995): 215-234. 

"The Hellenistic Age of Narratology" (reviewing Ann Fehn, Ingeborg Hoesterey, and Maria Tatar, eds., Neverending Stories: Toward a Critical Narratology, Semiotica 109-1/2  (1996): 187-193. 

"Naked Bodies in Schnitzler's Late Prose," in "Die Seele ist ein  weites Land":  Kritische Beiträge zum Werk Arthur  Schnitzlers, ed. Joseph P. Strelka (Bern:  Lang, 1997), pp. 105-127. 

"The Institutionalization of Conflict as an Interpretative Strategy in Freud's Interpretation of Dreams," in Agonistics:  Arenas of Creative Contest, ed. Janet Lungstrum and Elizabeth Sauer (Albany:  State University of New York Press, 1997), pp. 129-151. 

"Ich-Verdoppelung und Allmachtsphantasien in Texten des frühen Hofmannsthal:  'Erlebnis', Das Bergwerk zu Falun, 'Reitergeschichte,'" in Sprachkunst 33 (2002):215-238. 

"Constructing Interiority in Eighteenth-Century Narrative Fiction:  Wieland's Geschichte des Agathon," in  German Quarterly 81.1 (2008):  49-65.

"Nostalgia and Childhood Autobiography" (forthcoming in The Proceedings of Eleventh Cultural Studies Symposium "Memory and Nostalgia"- a Publication of Ege University Faculty of Letters, Izmir, Turkey.)
 

Awards and Fellowships 

Faculty Research Grant, University of Virginia 2007

Sesquicentennial Associateship 1993-94, 1999-2000, 2005-06

Fulbright Senior Fellowship to Berlin 1994-95

Guggenheim Fellowship, 1987-88

Summer Institute for the Study of Avant-Gardes, Harvard, 1987

Yale University Senior Faculty Fellowship, 1984-85

Morse Fellowship, 1981-82

DAAD Fellowship for dissertation research in Germany 1974-75

Connecticut State Scholarship 1972-75 (summer stipend)

Yale University Fellowship 1970-73

Fulbright Grant to Germany 1969-70

Woodrow Wilson Fellow 1969-70

Phi Beta Kappa 1969