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About the Cover The burning of the Rotunda and Library of the University of Virginia on October 27, 1895, caused a series of events that fundamentally changed the institution. The new architecture by Stanford White helped bring about changes in the University and propelled it into a position of leadership in the twentieth century. The Rotunda was returned to Jefferson's
original design in the 1970s.
Photograph: Rotunda ruins, Date:
1895, Photographer: Wampler, Comments: Ruins of the Rotunda
and Annex after the fire, west facade.
Drawing: Library Building, Date:
post-1895, Artist: McKim, Mead, & White, Comments: Rotunda
Elevation.
From Corks
and Curls, March 27, 1896:
...And so when on that fateful
Sunday in October last the clanging bell alarmed her residents and the
thick smoke rolling heavenward told of her peril, one throb of terror
and of grief shook every heart. Soon the flames were located in the
coving above the rostrum of the Public Hall and heroic efforts were
made to stay their course. But long security had begotten carelessindifference
to danger. There was no water pressure in the mains, though originally
adequate, had been reduced by the roughening and rusting of the pipes
till the stream was too feeble to be effectual. There was no fire engine,
the only one which the University had ever possessedhaving long since
rusted out in " innocuous desuetude." Telegrams were sent
to all adjacent towns for aid; but even while sending the dispatches
we knew that aid must come too late. The Public Hall was doomed and
the Rotunda was likely to go too.
Helplessness and hopelessness
fly to desperate remedies. The gallant Superintendent of Grounds and
Buildings determined to stay the flames, if possible, by blowing out
the roof of the connecting portico between the two buildings. The massive
columns were first drilled and heavy charges of dynamite were then detonated
in them until they came crashing down. But the stout roof-timbers framed
into the opposing brick walls still stood. New loads of the explosive
were shot off amid them, but with small effect. Smoke and flame crept
pitilessly across this resinous bridge, and soon the dome of the Rotunda
itself, framed of heavy pine and alike inaccessible from beneath and
from above, was ablaze. The cup of our sorrows seemed full. The old
home was burning -- the very dwelling-place of precious memories and
honored traditions -- and neither prayers nor labors could avert its
doom.
Meanwhile the throngs of eager
students had not been idle. As soon as it was seen that the buildings
could not be saved, abundant supplies ofvolunteers hurried to rescue
their contents. The chief art treasure of the University -- Balze's
superb copy of Raphael's School of Athens -- was too
near the origin of the flames to be removed. But all of the readily
portable philosophical apparatus, the engineering instruments, the department
library of the Law School, the furniture and records of the Chairman's
office, most of the books on the first floor of the library, all of
the portraits, the Lee papers, the interesting framed original letters
and documents, the Minor bust with its pedestal, and the life-size statue
of Jefferson were saved. The brief time and the narrow exit from the
library prevented the rescue of more. Much was lost, much broken in
the hurry and consternation of this sudden moving; yet the value of
the salvage is to be reckoned, not by what was lost, but by our great
and pressing needs.
Words cannot exaggerate the dash
and ardor with which these young fellows threw themselves upon their
self-imposed task. Backward and forward they hurried beneath their loads,
dauntless, tireless, amid suffocating and blinding smoke, the roof blazing
over their heads, the plaster cracking from the glowing dome and falling
beneath their feet, until at last the great skylight came crashing down,
and scattered a hundred blazing firebrands about the floor. The
professors, who directed their
work, called a halt, and with reluctant step and backward gaze these
hardy young volunteers withdrew and sadly left the old Rotunda to its
fate.
It was a tragic yet a beautiful
spectacle. The massive cylinder soon filled with crackling flames, which
poured from every window and soared skyward from the lofty dome. The
cornice caught and wrapped the building with an ardent zone, while the
blazing pediment decorated the capitals which sustained it, with fiery
streamers, more graceful in their wild luxuriance than the acanthus
leaves embracing their sculptured urns. Lovely even in its downfall,
the Rotunda was still, the focus of every eye, until the devouring flames
had wasted all that could perish in its structure, leaving the sturdy
walls unharmed--true symbol of the founder's enduring work. “Ili
est ignis edax summa ad fastigia vento Volvitur; exuperant flammae,
furit aestus ad amas.” Men gazed on the ruin with grave, strained faces or with
that little rueful smile which is the last challenge of manly courage
to disaster and defeat; women stood by awaiting the end with tear-stained
cheeks and lips tremulous with prayer; little children looked in wide-eyed
wonder, unconscious of the sorrow and the loss; and even the old servants
mourned the devastation of a structure, whose purposes soared above
their minds and sympathies as high as its
dome towered above their humble
heads...
"To the question of remodeling
of the interior of the Rotunda, we have given most careful study. Reasons
of sentiment would point to the restoration of the interior exactly
as it stood, but the dedication of the entire Rotunda to use as a Library,
and the unquestionable fact that it was only practical necessity which
forced Jefferson at the time it was built to cut the Rotunda in two
stories, and that he would have planned the interior as a simple, single
and noble room, had he then been able to do so, induces us to urge strongly
upon your Board the adoption of a single dome room, as presented, not
only as the most practical, but the proper treatment of the interior."
(Report of McKim, Mead & White
to the Board of Visitors. See Alumni Bulletin O.S. 2 [1896]:139.)
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