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| “The Great Escape” is one of the films in the
festival that pay tribute to Steve McQueen (above). The 1963
film, based on a true story about POWs trying to break out
of a Nazi prison camp, offers one of the late actor’s
most memorable stunts. |
October 18, 2004
By Jane Ford and Staff Reports
From race-and-chase films, to talks with filmmakers,
to exploring the Slow Food movement, programming for the 17th
annual Virginia
Film Festival, Oct. 28 through Oct. 31, is varied but shares
a common element — speed.
The theme of this year’s festival, though, “doesn’t
necessarily mean fast,” said festival director Richard Herskowitz. “While
many of the films we are showing will quicken the pulse of audiences,
we will also explore the flip side of that by featuring a ‘cinema
of contemplation.’”
For
instance, the quintessential fast-action films of actor Steve
McQueen, typified by “The Great
Escape” and “Bullitt,” will be balanced by
a slower genre of such movies as David Gordon Green’s “Undertow,” Paul
Schrader’s “Light Sleeper” and Terence Malick’s “Days
of Heaven.”
The festival will celebrate feature, documentary and experimental
films — made on both large and small budgets — by presenting
screenings, performances, panels and parties. More and more, it’s
becoming a director’s festival, which provides an opportunity
to get close to the filmmaking process, Herskowitz said.
Schrader, director (“Raging Bull” and “American
Gigilo”) and screenwriter (“Taxi Driver” and “Affliction”),
will present a shot-by-shot dissection of Robert Bresson’s “Pickpocket.” Green’s
shot-by-shot analysis of “Days of Heaven,” with the
film’s editor Billy Weber, is an homage to Malick. Film scholars
Robert Kolker and Walter Korte will moderate the two workshops.
The festival will also highlight Charlottesville and Virginia
filmmakers. Director Nicole Kassell will screen her first
feature film “The
Woodsman,” which was highly acclaimed at the Sundance Film
Festival and stars Kevin Bacon, Kyra Sedgwick, David Alan Grier
and Mos Def. The film, which opens theatrically in late December,
kicks off the festival’s screenings following the Opening
Night Gala at the U.Va. Art Museum on Oct. 28.
Paul Wagner will return to the festival and offer a sneak
preview of “Angels,” a work-in-progress, on Oct. 29. The Academy
Award-winning local filmmaker’s movie was co-written by Charlottesville-based
writer Karl Ackerman and features local talent in front of and
behind the camera.
Kevin Everson, U.Va. assistant professor of studio
art, has been screening his short films at Sundance
for the
past four
years.
The world premiere of his first feature film “Spicebush,” which
he wrote, produced and shot, will close the festival on Oct. 31.
Using a combination of documentary, experimental and symbolic styles,
Everson interweaves narratives concerning education, landscape,
luck, gaining and losing jobs, and the passage of time in the film.
On Oct. 30, John Warner Jr. will screen two films
in his trilogy on NASCAR racing: “The Wendell Scott Story” and “The
Golden Era of NASCAR.” The latter work is narrated by the
filmmaker’s father and racing enthusiast Virginia Sen. John
Warner, who will attend the screening.
The concept of “slow food” also will play a part in
the festival, starting with a screening of “Mondovino,” by
filmmaker and sommelier Jonathan Nossiter, about the contemporary
business of winemaking in Napa Valley on Oct. 31. A Slow Food brunch
will follow the morning screening. In the afternoon, the Slow Food
Short Films program features some of the best short narrative and
documentary films shown at the annual
International Festival of Slow Food on Film in
Italy. Slow Food is an international organization
whose
aim is to protect
the
pleasures of the table from the homogenization
of modern fast food.
To speed things up, the Adrenaline Film Project,
led by Charlottesville native Jeff Wadlow
and his production
team,
will spend three
days working with 12 teams of aspiring young
filmmakers to produce films
that will be unveiled on Oct. 31. At the
screening, Wadlow also will present his animated
film, “Catching Kringle,” which portrays Santa
as a national security threat and is voiced
by Danny DeVito and Larry King.
Experimental films that stretch, freeze
and compress time also will be featured
at the
festival. Among
them works
by two acclaimed
experimental film and installation artists,
Sharon Lockhart and Martin Arnold.
In conjunction with the festival, the
U.Va. Art Museum will exhibit “Bill
Viola: Six Heads,” an
installation piece in which the artist
examines six different emotional states
on a single
screen.
The festival adds music to the program
with New York audiovisualist David
Last and friends,
who
will present
works by international “Synaesthesiologists,” or
contemporary video artists, who fuse
sight and sound in the rapidly expanding
genre
of visual music. In addition to the
Oct. 28 screening,
the artists will perform a live mix
of audio and
visuals on the night of Oct. 29 at
the Synaesthesiologists: Dance Party
at the
Satellite Ballroom.
On Oct. 30, country singer Jim White
will drive his 1970 Chevy Impala
through the
American South in the
film “Searching
for the Wrong-Eyed Jesus” where
he encounters such musical mavericks
as The
Handsome Family, Johnny Dowd, David
Johansen, David Eugene of 16 Horsepower
and old-time
banjo player Lee Sexton. After
the screening, White will perform
live
in concert at
the Gravity Lounge.
There also are films for children,
including a Saturday morning
screening of “National Velvet,” starring a young Elizabeth
Taylor; and a screening of legendary actor Harold Lloyd’s
silent film “Speedy,” with
music by local pianist Art
Wheeler, on Sunday afternoon.
Herskowitz also recommends “Paper
Clips,” a documentary by Virginia
producer Bob Johnson. Winner of the Audience
Choice Award for Best Documentary Feature,
the
film, to be screened Oct. 29 and 31, chronicles
a group of middle school students in Tennessee
as they engage in a project to collect
one paper clip for every person lost to
the Holocaust. Because of the project,
the town, which had almost no Jews and
very little
diversity, has become a destination for
Holocaust survivors.
The South also is the setting
of the festival premiere of “Chrystal,” Oct.
30 and 31, starring
Billy Bob Thornton, Lisa Blount
and Walton Goggins. U.Va. alumnus
and
producer David
Koplan will
join director Ray McKinnon,
and actors Goggins and Blount
for the program on Oct. 30.
Festival and ticket information
is available online at: www.vafilm.com.
Starting Oct.
18, the festival
will sell
tickets by phone,
1-800-UVA-FEST, and at the
Culbreth Theatre’s
box office.
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