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THE
VIRGINIA FILM FESTIVAL ANNOUNCES FINAL PROGRAMS
Four major movie premieres sweeten the “$” deal
October 14, 2003 --
The Virginia Film Festival will present The Company, the latest
film by legendary director Robert Altman, as one of four major
movie premieres wrapping up the 2003 program.
“Four
of our most exciting premieres have been confirmed only in the
past week,” said Festival Director Richard Herskowitz. “These
films were worth the wait.”
Sony
Classics’ The Company
stars Neve Campbell (Scream, Wild Things, Party of Five), Malcolm
McDowell (A Clockwork Orange) and the Joffrey Ballet of Chicago
in a gritty look at the realities of daily life as a professional dancer.
Campbell, an accomplished dancer who studied with the National
Ballet of Canada before
pursuing an acting career, plays a gifted ballerina poised to become a principal
dancer. The film is a startlingly intimate pas de deux between Altman’s
fluid camerawork, the pulsating life force of ballet, and the richly textured
behaviors of the dancers. It is a love letter to artists who work in this
singularly difficult and universally expressive medium, to the people behind
the scenes
who make the performance possible, and to the art form of dance itself. Audiences
at the Virginia Film Festival can see The Company at Culbreth Theatre on
October 25, 7pm, a full two months ahead of its national theatrical release.
The screening
is a collaboration with the University of Virginia Council for the Arts,
which has made creating a dance program one of its goals for strengthening
the arts
at the University, and the Campaign for Dance, an organization committed
to advocacy of dance studies at the University.
On
Friday, October 24th (1pm, Vinegar Hill Theatre) the Virginia
Film Festival
will present two feature premieres. In This World, by Michael Winterbottom,
won the Golden Bear at the 2003 Berlin Film Festival. It has been ecstatically
praised
by critics--London’s Daily Telegraph film critic called it “the
film of my lifetime.” The film tells the story of Jamal and Enayatullah,
two Afghan cousins who embark on a refugee’s clandestine odyssey from
the ruins of Afghanistan to the Red Cross outlets of London. Played by non-professional
actors using their own names, the two boys travel through Iran, Turkey, and
France
before reaching London. Shooting on digital video using only available light,
Winterbottom (Welcome to Sarajevo) harnesses the immediacy of documentary
techniques to create an urgent, intimate account of human beings driven by
the fundamental
urge to create a better life.
“In
This World explores contemporary immigration and poverty, as
does another excellent film in our schedule, James’ Journey
to Jerusalem, ” said
Richard Herskowitz. “These films not only tie in with our “$” theme,
but they, along with the Gulf War film Three Kings, also happen to be
screening, appropriately enough, on United Nations Day.”
The
great American playwright and actor Sam Shepard is the subject
of This So-Called
Disaster, (IFC Films) a documentary tracking Shepard’s theatrical
production of The Late Henry Moss. The film begins about halfway through
rehearsals and
follows the crew and cast (featuring noted actors Nick Nolte and Sean
Penn in leading roles) through opening night. Director Michael Almareyda
has created
more than a standard documentary about a dramatist and his work --This
So-Called Disaster is an unusually intimate portrait of a group working
their way through
a process of creative discovery. It will be shown at the Virginia Film
Festival on Friday October 24 at 7pm at Regal Cinema on the Downtown
Mall.
On
closing day of the Festival, audiences will be treated to a lost
African-American classic and bold political thriller, in a newly
restored
print. The Spook
Who Sat By The Door was an overnight sensation in 1973, but was quickly
pulled from distribution, ostensibly at the urging of the FBI. The
plot centers
on
black
CIA agent Dan Freeman (Lawrence Cook) who uses his expertise to foment
a guerilla war against the white power structure. Adapted from Sam
Greenlee’s controversial
novel, the film provided a haunting look at how easily the American
dream could turn into a nightmare, and inspired a long line of “blaxploitation” films
in the 1970s. One of the most significant independent Black films ever
made, The Spook Who Sat by The Door, will be re-released in theaters
and on DVD next
year by Obsidian Home Entertainment, a division of Tim and Daphne Reid’s
New Millennium Studios in Petersburg, Virginia. Martin Jones, president
of Obsidian will present the film on Sunday, October 26 at 4pm at Vinegar
Hill Theatre and
will conduct a teleconference with screenwriter Sam Greenlee following
the screening. Contact: Elizabeth Kien, (434) 924-3039
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