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University
Of Virginia Art Museum To Feature Collage Exhibits
January 12, 2004 --
WHAT: Exhibition: “American Collage – Telephones”
WHEN: Friday,
Jan. 23 – Sunday, Feb. 29
WHERE: University
of Virginia Art Museum
Second Floor Landing
155 University Avenue
The
University of Virginia Art Museum will feature the “American
Collage — Telephones” exhibition, Friday, Jan.
23, through Feb. 2004. Marclay’s “Telephones” is
a collage of edited film clips covering several film genres
and periods, from Alfred Hitchcock’s “Dial M for
Murder” and “Psycho” to
scenes from contemporary movies like “Clerks” and “Sleepless
in Seattle.” The unfolding sequence of events mirrors
the framework of a telephone conversation, and in a broader
sense mirrors
the human desire to connect person-to-person.
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WHAT: Exhibition: “American Collage”
WHEN: Friday,
Jan. 23 – Aug. 2004
WHERE: University
of Virginia Art Museum
Contemporary Gallery
155 University Avenue
ACCOMPANYING
EVENT: Exhibition Reception/Fourth Friday
Friday, Jan. 23, 5:30 – 7:30 p.m.
Beth Turner, curator, The Phillips Collection, opens the
exhibition at 5 p.m.
U.Va.’s Art Museum will
feature the “American Collage” exhibition,
Friday, Jan. 23, through Aug. 2004. Organized by Matthew Affron,
assistant professor in U.Va.’s McIntire Department
of Art, the exhibit will examine several decades
in the history of collage and assemblage in the American
tradition.
“American
Collage” brings together works of art from the museum’s
permanent collection – including Joseph Cornell, Conrad
Marca-Relli, Louise Nevelson, Adja Yunkers and Andy Warhol – and
objects on loan by Alexander Calder, Arthur B. Davies, Albert
Eugene Gallatin and Robert Motherwell from The
Phillips Collection in Washington, D.C. The Phillips Collection,
America’s
first museum of modern art, has long been known for the extraordinary
quality and unity of its collection, for distinctive exhibitions,
and for the intimate
and personal environment in which art is experienced.
Together
these works illuminate the largest visual, conceptual and
historical tensions in collage: formality and informality;
chance
gestures and fixed
relationships; abstraction and decoration; purity of medium
and the object as it occurs in
everyday life.
The
premise of the exhibition is that these hybrid and composite
practices are a fundamental expression of
modernist aesthetic
sensibility. The
artists featured
use collage, assemblage and the found object to explore
matters of representation and illusion in painting and sculpture.
For Gallatin, Motherwell, Marca-Relli
and Yunkers, the union of collage and painted canvas is
anchored
in the appeal of abstract painting; yet their pasted-in
fragments conjure
up
randomness and rawness, introduce verbal and visual puns,
and open a door into the
everyday
world. Cornell, Nevelson and Warhol explore art, life and
the spaces in between by adopting ordinary things as raw
materials
for their
work.
The
art of collage represents a quintessential development in the
history of 20th-century art. “It demonstrates
the wide variety of methods used by artists who were
key figures in that history, and it investigates the significance
of collage and related techniques – the arts of
the paste-in and the put-together – for
modernism in general,” said Affron.
The
exhibition inaugurates an ambitious partnership between Phillips
and U.Va. Affron and Stephen Cushman, director
of the American
Studies program,
are co-teaching
a new undergraduate seminar on collage for art history
students and fourth-year American studies majors. The
seminar examines
the development
of collage,
in both visual and verbal texts, from the emergence
of
modernism on.
Richard
Herskowitz, director of the Virginia Film Festival, who teaches “Contemporary
Independent Film and Video: Collage Media Art” in
the department of drama and other courses in studio
art and media studies, will incorporate collage into
course syllabi. A series of lectures, performances
and films, including the spring
Film Society program, will also focus on American
collage. In July and August, the exhibition will
serve as an
exciting resource for the museum’s Summer
Arts @ the Museum.
The
museum is open Tuesday through Sunday, 1 to 5 p.m.
For
details about the exhibition, call the University of Virginia
Art Museum
at (434) 924-3592 or visit
the Web
site: http://www.virginia.edu/artmuseum. Contact:
Katherine Thompson Jackson, (434) 924-3629 |