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Internationally Renowned Art Historian to Give Spring 2006
Page-Barbour Lectures at the University of Virginia

 




 

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WHO:
T.J. Clark, George C. and Helen N. Pardee Chair in Modern Art at the University of California Berkeley

WHAT:
Page-Barbour Lecture Series — "The Exchange of Women"
* April 4 - “David's ‘Intervention of the Sabine Women’”
* April 5 - “Poussin's ‘Sacrament of Marriage’”
* April 6 - “Veronese's ‘Allegories of Love’”

WHEN:
All lectures are at 5:30 p.m.

WHERE:
Campbell Hall, Rm. 153

Additional Resources:

• Page-Barbour and James W. Richard Lectures

Contact:
Jane Ford
(434) 924-4298
jford@virginia.edu

 

March 28, 2006 -- With his seminal books “Image of the People” and “The Painting of Modern Life,” art historian T. J. Clark is credited with providing a new approach to looking at art that transcends iconography and style. Instead, Clark viewed the works of artists such as Manet and Courbet through a lens that shed light on the political and social implications of their work.

On April 4-6, Clark will give the Spring 2006 Page-Barbour Lectures. Under the umbrella title of “The Exchange of Women,” Clark will present three lectures: April 4, “David’s ‘Intervention of the Sabine Women’”; April 5, “Poussin’s ‘Sacrament of Marriage’”; and April 6, “Veronese’s ‘Allegories of Love.’” All lectures are in Campbell Hall, room 153, at 5:30 p.m.

Clark was educated at Cambridge University and the Courtauld Institute of Art, University of London.  He has taught in England and the United States and since 1988 at Berkeley, where he is currently the George C. and Helen N. Pardee Chair in Modern Art.  His books include “The Absolute Bourgeois:  Artists and Politics in France, 1848-51,” “Image of the People: Gustave Courbet and the 1848 Revolution,” “The Painting of Modern Life: Paris in the Art of Manet and his Followers,” “Farewell to an Idea:  Episodes from a History of Modernism” and (with Iain Boal, Joseph Matthews and Michael Watts: under the name “Retort”) “Afflicted Powers:  Capital and Spectacle in a New Age of War.”

Among his recent essays are:  “Phenomenality and Materiality in Cézanne,” in Barbara Cohen, J. Hillis Miller, Andrzej Warminski, and Thomas Cohen, eds., “Material Events:  Paul de Man and the Afterlife of Theory”; “Should Benjamin Have Read Marx?” in Kevin McLaughlin and Philip Rosen, eds., “Benjamin Now: Critical Encounters with The Arcades Project”;  “Painting at Ground Level,” The Tanner Lectures on Human Values, vol. 24; and “The Sabine Women and Lévi-Strauss,” in Peter de Bolla, Nigel Leask and David Simpson, eds., “Land, Nation and Culture 1740-1840.”

The Page-Barbour Lectures, founded in 1907, are aimed at bringing fresh understanding to any field in the arts and sciences. Past lecturers have included President William Howard Taft, poets T.S. Eliot and W.H. Auden, philosopher John Dewey, journalist Walter Lippman, psychologist B.F. Skinner and psychiatrist Robert Coles.

For more information contact Aaron Wall at aaron.wall@adelphia.net or Howard Singerman at (434) 924-6126 or howard.singerman@virginia.edu.

 
 
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