ROMANCE, SUSPENSE NOVELS ENTERTAIN US; GREAT LITERARY WORKS IDENTIFY US, NEW BOOK SAYS CHARLOTTESVILLE, Va., March 20 -- Although you can't tell a great book by its cover, a study of nearly 200 American and Canadian novels shows the great importance of books in shaping a national identity. Individuals may "lose themselves" in romance or suspense bestsellers, but people find their national identities in images and ideas in great literary works, says University of Virginia sociologist Sarah M. Corse. She advances a new theory on national literatures in "Nationalism and Literature, The Politics of Culture in Canada and the United States," a 1997 book published by Cambridge University Press in its Cultural Social Studies series. Corse found that novels now considered masterpieces emphasized the differences between national populations in Canada's and America's early nation-building years. Modern literary prize winners in America, however, emphasize a broad range of diverse social experiences. "In the 1800s when Americans felt a strong need to disengage from England, great works such as 'Huckleberry Finn' showed an individual's struggle to define oneself against the current social structure," said Corse, who studied approximately 10 years of bestsellers, novels that won literary prizes and classics taught in literature classes. The bestsellers and prize winners are from 1978 to 1987. "The stark contrast of Huck Finn's actions against the norm of his hometown gave Americans a new definition of social relations. The heros in such books helped establish our national identity and distinguish us from the English," said Corse, an assistant professor of sociology at U.Va. "The relationship between literature and ordinary people's lives may be weak, but literature as a whole tells a coherent story about a nation," the author said. To date, Corse's study is the only empirical work on nationalism and literature that has been published in sociology. Great literature becomes national canon in tandem with nation building, Corse argues. "People draw on available images and ideas once they are recognized as great literary works. The works, themselves, perpetuate aspects of the nation's culture. So the works seem 'natural,' the characters and action 'right' because the images become part of society," explained Corse, who, as a sociologist, investigates the relationship between how people understand their world and their culture. "Books tell us who we are. The more we read of the great literary works, the more we accept those images as being our own. Books generate, reflect and maintain national-level images in our society," Corse said. By analyzing such components of the books' plots as the main characters' ethnic background and gender, the role of family and political processes and occurrences of violence and sex, Corse found: ¥ American high-culture literature is mostly written by men while female authors dominate the popular-culture market. American women are less likely to win top literary prizes. ¥ In Canada high-culture works are much more likely to be written by women. Canadian bestsellers, however, are more likely to be written by men. Most literary prizes go to women. "The comparison shows that America needs high-culture books written by women. The study also underscores the importance of minority authors in contemporary literature as our national identity and images change," Corse said. ¥ Contemporary literary-prize winning works in Canada focus on individuals; in the U.S. the focus is on social connections and relationships with others. "It's impossible to tell American and Canadian bestsellers apart, which shows that popular taste does not contribute to establishing a national canon of literature. We react to popular suspense thrillers and other bestsellers as individuals. We respond to classics as Americans," the sociologist said. ### March 19, 1997 For more information, contact Sarah Corse at (804) 924-6515 or via smc6r@virginia.edu. Television reporters should call our TV News Office at (804) 924-7550.