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AMIRI BARAKA

Amiri Baraka
Playwright Poet and Activist
"Democracy, War and the Responsibility of Intellectuals in a Bushwacked America"
September 24, 2002

Amiri Baraka: I want to talk about democracy and self-determination and the responsibility of intellectuals who I trust you will be when you come out of here.  Although I know some of you will not be unfortunately. Some of you will be. You know this is a small quote at the bottom of your diplomas that says I will not bite to kick or scratch, I will be perfectly calm and submit to every dumb thing to come out of the white house. Some of you who will look beyond that hopefully, you will have to understand that you have a responsibility if you are indeed intellectuals, if you are indeed artists, if you are indeed honorable people that you have responsibility. For one thing that Afro-American history African American history, black history you understand because we are black and we are Americans to study that history is to understand what the Dubois call the Sisyphus syndrome. How many people her actually read “The souls of Black Folks.” Some of you are probably lying, but I would trust that you will go to it. Remember those opening words “How does it feel to be a problem?” That’s some stunning words if you know what this is. “How does it feel to be a problem?” How does it feel to be a problem? People talk all around it. They come into a room and say oh I know a great colored man down the street. How do you feel about these outrages, but not one of them posed the question directly? And this makes my blood boil. How does it feel to be a problem? So that is the first thing that you have to find out. Not only you black students and you say working class white students and you women who don’t want to be raped by ideology and statute, but anyone who wants to be an honorable person. You have to find that out. How does it feel to be a problem? Cause you a going to be a problem. Cause say If you oppose the ideas that are coming out of the White House now by this foolish greedy imbecile who is our president that means then that you have to be a problem. You have to be a problem. But for black people it is not complex. People see you. What is the difference between racism and national oppression? National oppression I have to call you across the street. If I am in Kosovo you might be a Serb and I say I want to see your ID and I say Oh you are a Serb and bang I shoot you. But what racism does is identify you by physical characteristics. I don’t have to call you across the street to see your ID I can see your ID on your face. Like Stevie Wonder said I don’t have to call you nowhere I can just shoot you from across the street. That is what racism is identification by physical characteristics. But the African American people suffers from more than just racism. Racism is what the liberal claims is our only problem. Racism. But the Afro-American people suffer from national oppression. That is from robbery, from the removal and elimination of our rights. So that when we ask for reparations, we are not only going to sue you for the national oppression, robbery, fraud, lynching kidnapping, child abuse, psychological attacks, but we want to sue you for all the caricatures you made of us, all the sambo movies all the Negroes with their eyes rolling around with their eyes turning white in them clocks you understand we going to sue you for that to. We going to sue you for Damon Wayons movies we might even sue you for Spike Lee movies. We are definitely going to call for reparations for all of them cause it’s a total thing.

The point is that we have to look at Afro-American history and specifically what Dubois calls the sisyphusists. You know the story of Sisyphus? Right? Well that’s the dude death comes for Sisyphus. Sisyphus by the way lived in Corinth. Corinth you could always tell because unlike most Greek sculpture, which is all white, Corinth has colors in it has reds and greens and oranges. It was further down closer to the other part of the world where the Greeks got their information from -- Egypt. So anyways death comes for Sisyphus and says it’s time for you to go. And he says no I’m not going with you. You are not going to take me out of here. He was the son of the wind god and he did not want to go with death. So what was the punishment for not going with death was that he had to roll a huge rock up a mountain and when he got up it would roll back on his head. Dubois says that is the story of black people in this country. Every time they struggle and push the rock of national oppression and racism up to the top of the mountain what happens? Bush the second comes. I just  wrote an opera about called the Sisyphus syndrome from say slavery pushing that rock up the hill till January 1, 1863 the Emancipation Proclamation all the people that died all the people that struggled. Do you know Fred Douglas’ words? Alata Equiano, Harriet Tubman, Sojourner Truth, and William Wells Brown these are people you need to know. Not only you black students and if you don’t know then you need to be whipped. Like my mother used to say you going to get whipped if you keep that up. Or actually you being whipped now because you don’t know it. You know what I say, I’m gonna  keep beating your butt till you stop selling it. But then to remember and Fred Douglas the mighty Fred Douglas the mighty mighty Fred Douglas. You don’t know Fred Douglas. The greatest writers of the 19th century are whom Henry James well he wrote like an Englishman  what ever happened to Mark Twain, or Herman Melville or Emily Dickinson in her abstract, subtle ways who fought against the patriarchy. But what happened most of all to Fred Douglas. The great Fred Douglas who is a great as Melville who is probably the greatest writer in the century. Would you have me argue that all men have souls. That is not a fit argument for republicans. Read Fred Douglas speech on July 5, 1856 as an escaped slave find a prose greater than that. Find an address to America that begins so large and promises largess yet to come. Fred is the Man The reason that Melville and Fred why I would choose Fred is that his work lives today. They are not symbolic. They are not great based on his ability to frame a symbolism of the white whale. The white whale of course the largest white character in literature Moby Dick. But Moby Dick is imperialism. Notice all the different characters. All of them harpooners, all of the people different nationalities. Even notice the white folks in there he’s got first mate second mate. Notice Ahab.  He says at the end Ishmael and I alone remain to tell the tale.

So under these great writers we look at the progress in the 19th century. Finally what happens 1863 January 1. Emancipation Proclamation.You black students may remember that. You need to carry a copy of that in your pocket. You never know what Bush will do. You may need to pull that out and say now wait a minute Jim I was freed. You may find yourself back on the plantation picking potatoes or something. For those of you who don’t think so, you don’t have much information. But then you see at that point what happens. Well first Lincoln was killed. Fred had to keep on him cause first Lincoln was not such an admirable character. He wanted to send you back to where you wouldn’t go. In the first place. Nobody told you to bring me over here. Nobody asked to come here. I don’t even like the weather over here. Now you are going to tell me I have to go back.  You shouldn’t have brigyht ne her in the fiest placeNo I am not going back. You want to see a real revolution send these try and send these Negroes back to Africa. They’ll burn the place. So the question then at that point. Then what happens Lincoln is moved. Lincoln goes to New Orleans and has a change of heart. He says you are free now you should never have been slaves and if people come to you and and try to take your freedom you should show them with you bayonets that you mean to keep it. What happens next? Bang Goodbye Lincoln. Interesting that the two people that dealt with the whole question of black people as a motive force of their own political power were both assasinatioed. Who are we talking about Lincoln and John Kennedy. Check it out. Dead press there’s two dead pres. Two killed off presidents. You have to ask yourself why Lincoln and Kennedy. And you need to read Black Week Instruction. You students who are interested not only you Black students and I would call you infamous types if you didn’t but you progressive students read Black Week Instruction. So you know where you are in this country. So you know who you are. So that you have what Dubois calls true self-consciousness. There is a difference when you walk into a place and you don’t know who you are people treat you bad. They see you we don’t know who you are you are looking all funny you’re eyes are all glazed. But once you have that true self-consciousness Shakespeare says “The eye sees not itself, but only in reflection” you can’t look in your face. you can’t see yourself. you don’t know hwe you look to other people you don’t know  what people see in you. So what true self consciousness does as Dubois says It brings your mind into focus where you can use it to live day to day. You don’t have to remember you have a brain. Your brain is always up there functioning. When people see you when you have true self-consciousness then they act different. They will not treat you with such instant dismissal. Say I don’t know what’s up with that Negro but he looks like he’s looking through me. Yeah he’s looking through you all right. The question of consciousness so that Black Reconstruction is a very important book for you to read. It will take you a long time for you to read it. It’s a thousand pages. You should get in a l study circle once a week read it. You can drink hot cocoa or whatever you want to drink. Read the book Discuss it.

The question of the reconstruction is very important. How do you make the transition from slave to free man? How do you do that. How do you freed from slavery with no education, no job, no understanding no nothing and how do you survive. That’s why the Sisyphus syndrome because you were supposed to die. They thought you were going to die. You had no education you didn’t know anything you were a slave. You were supposed to die. Then why are you still live. How come your still alive. Sisyphus said I am not ready to go anywhere. So what’s the punishment push this rock up the mountain. So we pushed the rock up the mountain 19th century. We get up there they kill Lincoln and bang it goes down. By 1876 the same thing that happened in 2000 happened. Hayes Tillden compromise. How Rutherford Hayes gets to be president. All kinds of irregularities  happening at the polling places. Some kinds of irregularities happened last week in Florida. They need to give them an enema to keep them regular. All those irregularities  happen all the time. Especially around us black people. You have to admit this. Based on democracy the struggle of democracy. Now we can have a Negro get up there and raise his hand and say yes sir I vote for Bush. The dialectic of democracy. Now you have crazier Negroes than you had before. There were some Negroes when I went to school but they weren’t as crazy as they are now. You’ll got some crazier Negroes. I’ve never seem them before Some of the stuff that comes out of Colin’s mouth. You know the colon it connects the upper and lower intestine. So that when the doodoo comes out of Bush’s stomach comes right to the colon and out the rectum. We call that right – Bushit. But that’s the dialectic of democracy. Once you push the rock of the hill then there are Negroes and poor white people and women who get raised up with that pushing who might not have done anything but be black or be a woman or be a poor white who benefit by that. Just like workers who don’t strike with the rest of the workers who still get a pay raise. But they rolled the rock after 1876 when they stole that election. They had removed all the civil rights that we had won in the Civil War. Same  thing that Bush has done. Everything that happened during the Civil Rights movement, they removed. Reagan  first then Bush I then Bush II it’s like the Thermador after the French Civil War. The backwardness that comes after the forwardness What Langston Hughes called  white backlash. We struggle not only for democracy, but we struggle for everything Americans have except their stupidity. We want everything Americans have except their racism. Everything they have except Bush’s insane desire to have a military dictatorship over the world telling people who should run their country. We don’t want that. But we are Americans. And we are black and we know we are Black unless we have some serious psychological damage we know we are black. And the cultural  revolution is to keep us from having that serious psychological damage.  That’s why Langston Hughes comes on the scene. You must read the essay, “The Negro Artist and the Racial Mountain”

“I heard a young man say he wanted to be a poet, not a black poet but a poet. I knew then that he would be no kind of poet cause no poet can ever deny his own self. That’s the cultural revolution. What are they doing? They are fighting to get out of the slave mentality. The question of equality has to happen not only in terms of the law, but the level of consciousness has to be raised. The level of your consciousness the productive forces -- what you do, your education, where you work has to be raised. People are not equal naturally. People are equal based on intervention of society. For anybody to put down black people or Latinos or poor hilbillies  up the street because they are inferior what they are doing is just protecting white supremacy. They are protecting the strength and dominations of the beujousis. Cause everybody can learn. Everybody can be socialized into being regular citizens, unless you’ve got a poisoned context like this one in which some people are doomed. And so we can’t go through this whole syndrome, but you see what I’m saying throughout the 20’s we push the rock up the mountain again. The NAACP is Born. Marcus Garvey, the new Negro the Harlem Renaissance. Zore Niel Herston Duke Ellington comes to New York. New York becomes so hip because Garvey and Dubois are there. Du Bois publishing The Crisis. Garvey is publishing Dunia. Many people don’t understand that they are two sides of one coin. The problem is there was no united front. When sumbady talks about self democracy and someone talks about democracy now you are talking about Garvey and Dubois. But the question is. You can be fighting for democracy but you cannot have democracy without self determination. It was not the US government that registered black people in the South it was Julian Bond, Stockley Carmichael, myself in the north. Black people would not be registered if we had depended on the office of elections in Wash D.C. . We did that. That’s self determination. But what were we doing. We had to have that self determination in order to get democracy. NAACP is a form of self determination. You have to have struggle you have to create your own weapons. You cannot depend on an oppressive government to give you equality. I hope you understand that. It means we have a double-edged sword. We are Americans. We are Americans. Even though we have never been treated like that. We doint have Equal Citizenship rights. Equal rights that’s what we want.  We want our children to be able to sit in these colleges just like yours. That’s what we want. Rather than dying in be ghettos we want then in the University of Virginia and the Univrsity of what not. We don’t want them to come out crazy. That’s means we have to have self-determination. We have to impinge on the University. We have try to change fabric of thought of the United States itself. We don’t want to be just integrated into Hitler’s mad house. We want Hitler’s mad house to be transformed so we’ll can integrate us into a higher level of understanding of the world in the first place and a better question social relations. I hope you all understand that. My voice is telling me to shut up.

Let me read this poem first. It is called Jungle Jim Flunks his Screen Test

James, you shd know

How the world

Makes you ugly. You is, you know, James

Veddy ugly. You-gly, we used to say

Back in the playground, just touching

The surface of the thing,

Not understanding that there's ugly, there's You-gly

Then various deeper degrees. Like

Dirty ugly, sick ugly, devil ugly, death ugly

Right on till you get to the bottom of the beginning

Of some shit too ugly to be dug, by mere you man.

I never seen that deepest dirtiest past-serial killer ugly

I seen Bush-2 and his charcoal imp-dummy, Kneel Bent

I seen a Lott, a Bilbo, a thing wrapped in white sheets carrying

His burning soul, disguised as a baking nigra eyes melting

Into snot. I seen somethin' so ugly I canceled it out my mind

And if I try to remember I get horizontal lines and blood come out

Ugly is the first letter of where you is. Satan begin with an S.

Put together they is money. A collection of ignorant medusas

Halloween; piano lessons in a human skin mask polka dot with blood.

Self is above, dead and unconnected, as if floating

Defying gravity with the magic of bullshit

You ugly with and in and because is you was the same

You ugly because you know you ugly and say you ain't

You ugly because you eat everybody and belch Hollywood

You ugly because you like it and wanna be ugly and you think ugly

Cute. You uglier than anybody except who made you ugly, look between yr legs

At the flickering light of skyscraper teeth on fire again, and some peepas say

God did it. Was either him or somebody else colored.

You ugly because that's how you got rich

But you got more ugly than you got money

With all that money you still ugly.

The ugliest other thing in the world think you ugly

And happy because you make them feel better

You uglier than Agnew. When you get yr Ph.D. in ugly

You will be Hitler's last meal. You uglier than Churchill

And Bush the father hideous wife

Ghouls say you ugly behind yr back

Vampire scared a you

When Clarence Pendleton passed gas it painted your face all over the room

You uglier than that painting Clarence Thomas got in the attic

Of his real self which Oscar Wilde did of him

You uglier than Papa Doc, Hitler and Mobutu

You uglier than Mussolini Franco and the Swedish Angel

Is yr twin. You uglier than zombie vomit.

Uglier than zoo dirt. You the ugliest thing in the human family

And the ID you got sayin' you human is ugly

You ugly as devil doo doo, white supremacy and you

Is identical. You ugly as the brain emptiness of a cracker lynch mob.

You ugly as Falwell dressed as Cab Calloway. You uglier than white people.

You uglier than Armstrong Williams. You and Ashcroft is movie stars

Among the backward dead. All insects look better than you. At yr best

You is vomit, rats run away from you, you is uglier than Dahmer's sweet tooth.You

is uglier than the police. War is yr make up.

Prison yr altar. Assassination yr

Conversation. You think stealing make you better looking,. Lying

gives you an orgasm. Only pain make you smile. But you so ugly

No smile would stay near your face. You drink people's tears and paint yr face

color:black'>With their blood. You so ugly when you sleep your dreams torture people.

color:black'>The Devil complains when you tell people you him.

The Devil say you uglier than him.

That cd be a trick. But nobody ever seen the two of yall

Together. But the Devil dress better than you.

Your face is a uniform. Clothes wont let you put them on

You cannot fart because gas refuses to stay in yr ass

You went to Denmark for sexual transformation

But the doctors cd not figure out which sex you were.

You claim not to be dead

You claim the reason you look the way you do

Is not yr fault. "Nature made me like this," You say.

Naturally everything denies it. Everything denies it.

Thank you.

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